Alvin Lucier reminisces about his former student and colleague Stuart Marshall. Marshall's sound works investigated such phenomena as the threshold of hearing and the displacement of sound environments, through scores that combined participants and equipment in incongruous ways, with instructions based on seemingly contradictory statements, creating unexpected groupings and responses.

This content is only available as a PDF.
© 2001 ISAST
2001
You do not currently have access to this content.