Abstract
As a pianist, David Tudor played a pivotal role in the development of the postwar musical avant-garde that has only recently received the scholarly response it warrants. The author traces the development of Tudor's approach to live electronic music from his work as a pianist and assesses the extent to which the indeterminate notations he so often realized entered into the development of his approach to electronic systems.
Issue Section:
Composers Inside Electronics: Music After David Tudor
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© 2004 ISAST
2004
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