ABSTRACT
The author examines the plasticity of the perceptual spaces generated by sound and interactivity and how their dynamic relationships to other perceptual spaces, both mediated and physical, affect our overall perception of the space we are in. He does this by analyzing some of his own work, in the wider context of architecture and time-based art and design, referencing work by other makers.
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© 2006 Massachusetts Institute of Technology
2006
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