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Issues

Volume 26
December 2016
Leonardo Music Journal Cover Image for Volume 26
All Issues
ISSN 0961-1215
EISSN 1531-4812

The Politics of Sound Art

Introduction

Introduction: Lend Me Your Ears! Sound and Reception
Nicolas Collins
Leonardo Music Journal (2016) 26: 1–2.
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Articles and Notes

Loudspeaker Listening: Tabula Rasa or Augmented Reality
David Prior
Leonardo Music Journal (2016) 26: 3–6.
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Listen to the Absent: Binaural Inquiry in Auditive Spatial Perception
Jeroen de Vos
Leonardo Music Journal (2016) 26: 7–9.
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Let Me Whisper in Your Earbud: Curating Sound for Ubiquitous Tiny Speakers
Miriama Young
Leonardo Music Journal (2016) 26: 10–13.
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Some Principles of Visual Design for Computer Music
Ge Wang
Leonardo Music Journal (2016) 26: 14–19.
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Music Listening Activities in the Digital Age: An Act of Cultural Participation through Adequate Music
Raphaël Nowak
Leonardo Music Journal (2016) 26: 20–23.
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From Music to Big Music: Listening in the Age of Big Data
Marinos Koutsomichalis
Leonardo Music Journal (2016) 26: 24–27.
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Listening to the Promise of a Better You: Considering the Instructional Record
Tim J. Anderson
Leonardo Music Journal (2016) 26: 28–31.
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Hearing Music with the Ears of a Composer
Maura Bosch
Leonardo Music Journal (2016) 26: 32–34.
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Distributed Listening in Electroacoustic Improvisation
Doug Van Nort
Leonardo Music Journal (2016) 26: 35–38.
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Sonic Art as Critique of the Listening Act
Camille Robinson
Leonardo Music Journal (2016) 26: 39–43.
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Ear Training, Solfège and Sound Education
Cathy L. Cox
Leonardo Music Journal (2016) 26: 44–47.
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Listening to Listening Machines: On Contemporary Sonic Media Critique
A. Vandsø
Leonardo Music Journal (2016) 26: 48–52.
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Lo-fi Listening as Active Reception
Elizabeth Newton
Leonardo Music Journal (2016) 26: 53–55.
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Average Is the New Loudest
Johannes Mulder
Leonardo Music Journal (2016) 26: 56–59.
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The Thing about Microphones
Mark Peter Wright
Leonardo Music Journal (2016) 26: 60–63.
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Unsound Sound: On the Ontology of Sound in the Digital Age
Martin Knakkergaard
Leonardo Music Journal (2016) 26: 64–67.
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A Temporal Basis for Acousmatic Rhythm
James Andean
Leonardo Music Journal (2016) 26: 68–70.
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The Cowboy Junkies Realism Test
Paul David Aikenhead
Leonardo Music Journal (2016) 26: 71–72.
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The Listening Laboratory: On Playful Practice and Listening Machines
Abby Aresty
Leonardo Music Journal (2016) 26: 72–73.
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Wiring the Ear: Instrumentality and Aural Primacy in and after David Tudor’s Unstable Circuits
Mat Dalgleish
Leonardo Music Journal (2016) 26: 73–74.
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From You to Me and Back Again: Interdependent Listening and the Relational Aesthetics of Sound
Julian Day
Leonardo Music Journal (2016) 26: 74–76.
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The Happy Valley Band: Creative (Mis)Transcription
David Kant
Leonardo Music Journal (2016) 26: 76–78.
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Teaching Cage’s “Silent Piece”
James Wierzbicki
Leonardo Music Journal (2016) 26: 78–79.
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Soundmaps as iDocs? Modes of Interactivity for Storytelling with Sound
Claudia Holanda, Pedro Rebelo, André Paz
Leonardo Music Journal (2016) 26: 80–82.
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Listening in the Rose Garden
Hugh Livingston
Leonardo Music Journal (2016) 26: 83–86.
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Wolf Listeners: An Introduction to the Acoustemological Politics and Poetics of Isle Royale National Park
Erik DeLuca
Leonardo Music Journal (2016) 26: 87–90.
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Skirmish at the Oasis: On Sonic Disobedience
Michael Nardone
Leonardo Music Journal (2016) 26: 92–96.
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Stuart Marshall’s Idiophonics
Peter Todd
Leonardo Music Journal (2016) 26: 97–99.
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LMJ26 Audio Companion

LMJ26 Audio Tracklist
Leonardo Music Journal (2016) 26: 100.
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Sonic Commentary: All Ears
Bill Bahng Boyer
Leonardo Music Journal (2016) 26: 101.
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Sonic Commentary: All Ears Contributors’ Notes
Jen Reimer, Max Stein, Sarah Hennies, Maile Colbert, Rui Costa ...
Leonardo Music Journal (2016) 26: 102–106.
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2016 Leonardo and Leonardo Music Journal Author Index

2016 Leonardo and Leonardo Music Journal Author Index
Leonardo Music Journal (2016) 26: 107–111.
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Leonardo Network News

Leonardo Network News
Leonardo Music Journal (2016) 26: 112–113.
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  • Online ISSN 1531-4812
  • Print ISSN 0961-1215
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