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Issues

Volume 9
December 1999
Issue Cover
All Issues
ISSN 0961-1215
EISSN 1531-4812
De-Composing Opera/Re-Composing Listening: John Cage's Europeras
David Ryan
Leonardo Music Journal (1999) 9: 121.
View articletitled, De-Composing Opera/Re-Composing Listening: John Cage's <em>Europeras</em>
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Information Systems Development and Music: The Exploration of a Parallelism
Sasan Rahmatian
Leonardo Music Journal (1999) 9: 121.
View articletitled, Information Systems Development and Music: The Exploration of a Parallelism
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Unforeseen Music: The Autobiographical Notes of Jim Horton
John Bischoff
Leonardo Music Journal (1999) 9: 122.
View articletitled, Unforeseen Music: The Autobiographical Notes of Jim Horton
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1999 AUTHOR INDEX
Leonardo Music Journal (1999) 9: 138–140.
View articletitled, 1999 AUTHOR INDEX
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Introduction: Power and Responsibility: Politics, Identity and Technology in Music
Nicolas Collins
Leonardo Music Journal (1999) 9: 1–2.
View articletitled, Introduction: Power and Responsibility: Politics, Identity and Technology in Music
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Responsibility

Grass Roots
Krystyna Bobrowski
Leonardo Music Journal (1999) 9: 3.
View articletitled, <em>Grass Roots</em>
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Faust Music On Line: An Approach to Real-Time Collective Composition on the Internet
Sergi Jordà
Leonardo Music Journal (1999) 9: 5–12.
View articletitled, Faust Music On Line: An Approach to Real-Time Collective Composition on the Internet
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Making Music on the Web
William Duckworth
Leonardo Music Journal (1999) 9: 13–17.
View articletitled, Making Music on the Web
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Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century
Mark Trayle
Leonardo Music Journal (1999) 9: 19–22.
View articletitled, Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century
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Talking Drum: A Local Area Network Music Installation
Chris Brown
Leonardo Music Journal (1999) 9: 23–28.
View articletitled, <em>Talking Drum</em>: A Local Area Network Music Installation
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BMB con.: Collaborative Experiences with Sound, Image and Space
Justin Bennett
Leonardo Music Journal (1999) 9: 29–34.
View articletitled, BMB con.: Collaborative Experiences with Sound, Image and Space
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Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess
Lowell Cross
Leonardo Music Journal (1999) 9: 35–42.
View articletitled, <em>Reunion</em>: John Cage, Marcel Duchamp, Electronic Music and Chess
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Identity

MARX BRO
Daniel Goode
Leonardo Music Journal (1999) 9: 43–44.
View articletitled, <em>MARX BRO</em>
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Beyond Asian American Jazz: My Musical and Political Changes in the Asian American Movement
Fred Ho
Leonardo Music Journal (1999) 9: 45–51.
View articletitled, Beyond Asian American Jazz: My Musical and Political Changes in the Asian American Movement
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Global Village, Local Universe: A Statement of Identity
Rajmil Fischman
Leonardo Music Journal (1999) 9: 53–62.
View articletitled, Global Village, Local Universe: A Statement of Identity
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Music, Language and Environment
David Dunn, René van Peer
Leonardo Music Journal (1999) 9: 63–67.
View articletitled, Music, Language and Environment
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Symphony Orchestras and Artist-Prophets: Cultural Isomorphism and the Allocation of Power in Music
William Osborne
Leonardo Music Journal (1999) 9: 69–75.
View articletitled, Symphony Orchestras and Artist-Prophets: Cultural Isomorphism and the Allocation of Power in Music
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Parma Manifesto
Frederic Rzewski
Leonardo Music Journal (1999) 9: 77–78.
View articletitled, <em>Parma Manifesto</em>
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Technology

Facing the Music: Perspectives on Machine-Composed Music
David Cope
Leonardo Music Journal (1999) 9: 79–87.
View articletitled, Facing the Music: Perspectives on Machine-Composed Music
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Exploring the Self Through Algorithmic Composition
Roger Alsop
Leonardo Music Journal (1999) 9: 89–94.
View articletitled, Exploring the Self Through Algorithmic Composition
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Change Over Time: Responsibility and Power in the Midst of Catastrophe
Ann Warde
Leonardo Music Journal (1999) 9: 95–101.
View articletitled, Change Over Time: Responsibility and Power in the Midst of Catastrophe
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The Cultural Role and Communicative Properties of Scientifically Derived Compositional Theories
Dante Tanzi
Leonardo Music Journal (1999) 9: 103–106.
View articletitled, The Cultural Role and Communicative Properties of Scientifically Derived Compositional Theories
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Improvising Machines: Spectral Dance and Token Objects
Greg Schiemer
Leonardo Music Journal (1999) 9: 107–114.
View articletitled, Improvising Machines: <em>Spectral Dance</em> and <em>Token Objects</em>
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The Aesthetics and Technological Aspects of Virtual Musical Instruments: The Case of the SuperPolm MIDI Violin
Suguru Goto
Leonardo Music Journal (1999) 9: 115–120.
View articletitled, The Aesthetics and Technological Aspects of Virtual Musical Instruments: The Case of the SuperPolm MIDI Violin
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Web Article Abstracts

Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music
Peter Manning
Leonardo Music Journal (1999) 9: 121.
View articletitled, Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music
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CD Companion

CD Companion Introduction: Power and Responsibility: Converted to Streaming Between Machines
Guy Van Belle
Leonardo Music Journal (1999) 9: 123–126.
View articletitled, CD Companion Introduction: Power and Responsibility: Converted to Streaming Between Machines
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Power and Responsibility: Conversations with Contributors
Guy Van Belle
Leonardo Music Journal (1999) 9: 127–133.
View articletitled, <em>Power and Responsibility</em>: Conversations with Contributors
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Small Manual of the Leonardo Music Media Journal Machine
Guy Van Belle
Leonardo Music Journal (1999) 9: 135–137.
View articletitled, Small Manual of the Leonardo Music Media Journal Machine
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