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Johannes Mulder
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Journal Articles
Publisher: Journals Gateway
Leonardo Music Journal (2018) 28: 13–18.
Published: 01 December 2018
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Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) used to inject new life into, and ask new questions of, the works that are being preserved.
Journal Articles
Publisher: Journals Gateway
Leonardo Music Journal (2016) 26: 56–59.
Published: 01 December 2016
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ABSTRACT This article discusses new sound pressure level (SPL) measurement strategies in the context of live music. A brief overview of the introduction of loudness normalization in broadcast audio engineering precedes a discussion of using average sound levels in measurements at concerts. The article closes with a short analysis of the implications of these developments for the notion of agency in the sociotechnical domain of audio production.