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Kay Festa
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Journal Articles
Publisher: Journals Gateway
Leonardo Music Journal (2014) 24: 39–41.
Published: 01 December 2014
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ABSTRACT An account of the use of technology in the first two works from No Collective’s Concertos series to overlay a multiplicity of networks (piconets) onto the apparently singular space and time of the performance, so that various modes of “solo” audience may be foregrounded.