ABSTRACT Most of the author's recent work has centered on the perception of environments and the human body's navigation through those environments, which has necessitated the construction of large-scale installations. So far, all but one of these installations have used sound as an integral component. The author believes that we, as both biological and cultural beings, live within three interlocking environments—the natural, the built and the media. This third is the newest, but certainly no less real than the other two.

ABSTRACT The author discusses his explorations with notation in three dimensions resulting in sculptural scores constructed of wood, metal and glass.