ABSTRACT The author discusses her research project Transition-Felt , an investigation of the development of locative narratives that informs the app The Letters .

ABSTRACT The authors present their musical smartphone app that uses GPS data to trigger specific sound events relative to spots within an area predetermined by the artists. Moving through the area, users listen to these events via headphones, completing the soundscape composition. The article outlines the effects and the workings of the app, which combines elements of composition and installation, and which the artists have so far adapted to a number of different areas.

ABSTRACT This paper describes the concept and realization of Solar Work #2 , an outdoor, solar-powered sound artwork that responds to the sun, creating a field of small sounds and drawing visitors into the physical and sonic landscape.

ABSTRACT The author describes a recent sound installation that addresses an environmental issue as well as an issue with our sonic ecology.

ABSTRACT A research group explores rendering sculptural forms as sound using echolocation and the participation of members of the visually impaired community.

ABSTRACT The author explores capturing and hearing music within a broader sound environment and the cultural and contextual information that this method can convey.

ABSTRACT The author discusses her works that explore sound's influence on creating a sense of presentness and her aim to increase the audience's awareness of this influence.

ABSTRACT Featuring a set of microphones inside a dummy head situated within a gallery space, the author's installation 24/7 first records and later replays sounds sourced from within the space, representing past moments in time.

ABSTRACT The author discusses her work in relation to site-specific practice, embodied interaction and the practice of walking.

ABSTRACT This paper describes the conceptual origins and development of the author's ongoing environmental sound-art project Fragments of Extinction , which explores the eco-acoustic complexity of the remaining intact equatorial forests. Crossing boundaries between bioacoustics, acoustic ecology, electroacoustic technology and music composition, the project aims to reveal the ordered structures of nature's sonic habitats, define a possible model of compositional integration and make the outcome accessible to audiences to foster awareness on the current “sixth mass extinction.”

ABSTRACT The author describes his use of radio waves in public spaces to create interactive sonic compositions in his project, Radioscape .