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Summer 2003
July 01 2003
Dada Between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films of Hans Richter
Malcolm Turvey
Online Issn: 1536-013X
Print Issn: 0162-2870
© 2003 October Magazine, Ltd. and Massachusetts Institute of Technology
2003
October (2003) (105): 13–36.
Citation
Malcolm Turvey; Dada Between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films of Hans Richter. October 2003; (105): 13–36. doi: https://doi.org/10.1162/016228703769684146
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