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© 2006 October Magazine, Ltd. and Massachusetts Institute of Technology
2006
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He is the author of Words of Light: Theses on the Photography of History and Emerson and the Climates of History, and the co-editor, with Aaron Levy, of Cities Without Citizens and, with Ian Balfour, of a special issue of SAQ entitled And Justice For All?: The Claims of Human Rights. He is currently finishing a collection of essays on the ethics and politics of mourning entitled Of Mourning, and a small book on the relations between music and techniques of reproduction, memorization, and writing entitled Music on Bones.
She also teaches Literary Theory at the University of Buenos Aires and has worked as a researcher of the National Council of Science and Technology of Argentina in the field of nineteenth-century Latin-American photography and literature. She is the co-author (with Martín Kohan) of Imágenes de vida, relatos de muerte. Eva Perón: cuerpo y política and has published several articles on the relations among visual technologies, national identity, and politics. She is presently finishing a book-length manuscript on the political and aesthetic consequences of the introduction of photography to Mexico and Argentina from 1840–1910.
Eduardo Cadava, Paola Cortés-Rocca; Notes on Love and Photography. October 2006; (116): 3–34. doi: https://doi.org/10.1162/octo.2006.116.1.3
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