The material in this issue belongs to a more comprehensive study on Soviet factography and late modernism, All the Graphs. He is also presently working on two other projects: one examines the return of mimetic realism in German cultural production of the Popular Front era; the other is an introduction to and translation of Sergei Tret'iakov's 1936 monograph on the German photomonteur John Heartfield.
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DEVIN FORE; Introduction. October 2006; (118): 3–10. doi: https://doi.org/10.1162/octo.2006.118.1.3
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