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Winter 2012

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ISSN 0162-2870

EISSN 1536-013X

In this Issue

Post-Critical

Hal Foster

October (2012) (139): 3–8.

Neo-Modern

David Geers

October (2012) (139): 9–14.

Hegel's Werkmeister: Architecture, Architectonics, and the Theory of History

Hassanaly Ladha

October (2012) (139): 15–38.

The Political Project of Wölfflin's Early Formalism

Evonne Levy

October (2012) (139): 39–58.

Barbarian Invasions and the Racialization of Art History

Eric Michaud

October (2012) (139): 59–76.

Between the Academy and the Avant-Garde: Carl Einstein and Fritz Saxl Correspond

Spyros Papapetros

October (2012) (139): 77–96.

Moscow-Rome-Havana: A Film-Theory Road Map

Masha Salazkina

October (2012) (139): 97–116.

“Cinema in the Hands of the People”: Chris Marker, the Medvedkin Group, and the Potential of Militant Film

Trevor Stark

October (2012) (139): 117–150.

In Search of Lost Space: Stan Douglas's Archaeology of Cinematic Darkness

Noam M. Elcott

October (2012) (139): 151–182.

Mike Kelley: Death and Transfiguration

George Baker

October (2012) (139): 183–191.

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