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May 01 2002
Biomechanics in Weightlessness
Emil Hrvatin
Emil Hrvatin
Emil Hrvatin is a director and theoretician whose work also includes visual, multimedia, and performance art, most recently, The Cabinet of Memories, and the CD-ROM Ferdo Delak. His play, Camillo—Memo 1.0: The Construction of Theatre, was staged at the Piccolo Teatro in Milan, Italy (1998). Drive In Camillo opened the Manifesta 3 exhibition in Ljubljana (2000). He is the editor-in-chief of the MASKA performing arts journal and co-founder of the DELAK Centre for Performance Research in Ljubljana. He has edited several books on contemporary art and performance, including a study of Jan Fabre.
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Emil Hrvatin
Emil Hrvatin is a director and theoretician whose work also includes visual, multimedia, and performance art, most recently, The Cabinet of Memories, and the CD-ROM Ferdo Delak. His play, Camillo—Memo 1.0: The Construction of Theatre, was staged at the Piccolo Teatro in Milan, Italy (1998). Drive In Camillo opened the Manifesta 3 exhibition in Ljubljana (2000). He is the editor-in-chief of the MASKA performing arts journal and co-founder of the DELAK Centre for Performance Research in Ljubljana. He has edited several books on contemporary art and performance, including a study of Jan Fabre.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2002 Performing Arts Journal, Inc.
2002
PAJ: A Journal of Performance and Art (2002) 24 (2 (71)): 102–107.
Citation
Emil Hrvatin; Biomechanics in Weightlessness. PAJ: A Journal of Performance and Art 2002; 24 (2 (71)): 102–107. doi: https://doi.org/10.1162/152028102760049364
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