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/2/m_pajj.2004.26.issue-2.cover.jpeg?Expires=1662983826&Signature=pwjC9oF~SEAo7y7YEtBcwbQT8zWmXVtGQRJdqy1NMDWazZ7oVWbk-Qmt0TFj90k3CLf9FY0mXPIU~3TFZYuEszbG1QtGkUYBGd-qO9yU8UMaZeCv6nQLel9gSaXjThDVLV~-tb7dJF71M~8pDk4ngD7LdHW7wfg~KMMzGqDuoiEQ5MfoH0mC1chdTV8m-ss7OhNKRTyU3qlMSqjJ1wwprApLscZlE1RLXLN-esNC8P5liuca1JzcYiSSpePl0ZdwjP9wUQqj8HOsv5rYTPOUl6XXUsbXmOgiBTyNjiV3Wb8azOkhXhgA~4WtI7wBPXi4p54QaiY8v0yVUQhlX9LDOA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
May 01 2004
Calligraphies: Asian Dance in Chicago
Nancy G. Moore
Nancy G. Moore
Nancy G. Moore is a graduate of the interdisciplinary doctoral program in Theatre at Northwestern University. She has written for the Encyclopedia of Chicago History, Ballet Review, Theory & Event, The Chicago Reader, Dance Magazine, and PAJ.
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Nancy G. Moore
Nancy G. Moore is a graduate of the interdisciplinary doctoral program in Theatre at Northwestern University. She has written for the Encyclopedia of Chicago History, Ballet Review, Theory & Event, The Chicago Reader, Dance Magazine, and PAJ.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2004 Performing Arts Journal, Inc.
2004
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 80–86.
Citation
Nancy G. Moore; Calligraphies: Asian Dance in Chicago. PAJ: A Journal of Performance and Art 2004; 26 (2 (77)): 80–86. doi: https://doi.org/10.1162/152028104323048296
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