Skip Nav Destination
Article navigation
January 2008
January 01 2008
The Threepenny Opera: Drawings
Robert Wilson
Robert Wilson
Robert Wilson has been honored for his visionary work with the Golden Lion for sculpture from the Venice Biennale, the Dorothy and Lillian Gish Prize for Lifetime Achievement, the Premio Europa Award from Taormina Arte, a nomination for the Pulitzer Prize in Drama, the National Design Award for Lifetime Achievement, and as Commandeur dans l'Ordre des Arts et Lettres by the French government. For more than three decades he has created a new vocabulary for theatre and opera, starting with early pieces such as Deafman Glance, The Life and Times of Joseph Stalin, and Death Destruction and Detroit. His Einstein on the Beach, written with composer Philip Glass, is a landmark in twentieth-century opera. Wilson has also staged Parsifal, The Magic Flute, Madame Butterfly, and Lohengrin at La Scala, the Metropolitan Opera, and Opera Bastille. He has collaborated with many artists, including Heiner Müller, Allen Ginsberg, Lou Reed, Susan Sontag, Tom Waits, William Burroughs, and David Byrne, on numerous music and dramatic works for the stage, in addition to classic texts of Flaubert, Ibsen, Strindberg, and Gertrude Stein. His production of Fables de la Fontaine, with the Comédie Française, was recently seen at the Lincoln Center Festival 2007. Major exhibitions of his work have been shown at the Museum of Fine Arts, Boston; the Centre Georges Pompidou, Paris; the Contemporary Arts Museum, Houston; and the Instituto Valencia de Arte Moderno.
Search for other works by this author on:
Robert Wilson
Robert Wilson has been honored for his visionary work with the Golden Lion for sculpture from the Venice Biennale, the Dorothy and Lillian Gish Prize for Lifetime Achievement, the Premio Europa Award from Taormina Arte, a nomination for the Pulitzer Prize in Drama, the National Design Award for Lifetime Achievement, and as Commandeur dans l'Ordre des Arts et Lettres by the French government. For more than three decades he has created a new vocabulary for theatre and opera, starting with early pieces such as Deafman Glance, The Life and Times of Joseph Stalin, and Death Destruction and Detroit. His Einstein on the Beach, written with composer Philip Glass, is a landmark in twentieth-century opera. Wilson has also staged Parsifal, The Magic Flute, Madame Butterfly, and Lohengrin at La Scala, the Metropolitan Opera, and Opera Bastille. He has collaborated with many artists, including Heiner Müller, Allen Ginsberg, Lou Reed, Susan Sontag, Tom Waits, William Burroughs, and David Byrne, on numerous music and dramatic works for the stage, in addition to classic texts of Flaubert, Ibsen, Strindberg, and Gertrude Stein. His production of Fables de la Fontaine, with the Comédie Française, was recently seen at the Lincoln Center Festival 2007. Major exhibitions of his work have been shown at the Museum of Fine Arts, Boston; the Centre Georges Pompidou, Paris; the Contemporary Arts Museum, Houston; and the Instituto Valencia de Arte Moderno.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2008 Robert Wilson
2008
PAJ: A Journal of Performance and Art (2008) 30 (1 (88)): 31–41.
Citation
Robert Wilson; The Threepenny Opera: Drawings. PAJ: A Journal of Performance and Art 2008; 30 (1 (88)): 31–41. doi: https://doi.org/10.1162/pajj.2008.30.1.31
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
17
Views
Advertisement
Cited By
Related Articles
Unpopular Cultures: The Birth of Law and Popular Culture; Bertolt Brecht and Critical Theory: Marxism, Modernity and the Threepenny Lawsuit
TDR/The Drama Review (September,1999)
“… just an invented word”
TDR/The Drama Review (December,1999)
Geneva, Handfall : Drawings
PAJ: A Journal of Performance and Art (May,2008)
The Lulu Drawings
PAJ: A Journal of Performance and Art (May,2016)
Related Book Chapters
A DRAWING TOGETHER
The Design Way: Intentional Change in an Unpredictable World
The Social Uses of Drawing:
Why Architects Draw
Why Architects Draw
Why Architects Draw
Drawing the Line: Music, Noise, and Phonography
Noise, Water, Meat: A History of Voice, Sound, and Aurality in the Arts