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/2/m_pajj.2010.32.issue-2.cover.gif?Expires=1683008685&Signature=h~IUV~IjAJ2WINHmEEJd4umPizAe2l76tDP54OjJGfgtfcG23lML6AdDJilAsyKAvahdVfy~4PF5GIkUyjb5acBXUqUvrHhcdMnaS~FzBTmS4qMZiPXpJzx2OrP5~u5jy41IB1C0jQlKHGH2AgJxa7ywghpaW9CQPQGSD5SRXqTnqFXQZiNdOM13Bmfwk6l8yzWNBQO-3X2fBktBgMuyDRX-LZbD6WfzZDiUOpxgYjstEagR0dwe4OA6O0Vaf3xzSmyOaaTvgK3TE~wCK7SS25KnkFlXkFVgoiJvHsPtmVYO2lYEfnGjA5UGxl1OWDAqG0J0jSLOi9MkDaXjNJI-aQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
May 01 2010
The French Line
Phillip Lopate
Phillip Lopate
Phillip Lopate is the author of a dozen books—essay collections, film criticism, novels, poetry—including Waterfront, Getting Personal, Two Marriages, Notes on Sontag and Totally Tenderly Tragically. He is also the editor of several anthologies, such as Art of the Personal Essay, Writing New York and American Movie Critics. He teaches in the graduate division of Columbia University, and lives with his wife and daughter in Brooklyn.
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Phillip Lopate
Phillip Lopate is the author of a dozen books—essay collections, film criticism, novels, poetry—including Waterfront, Getting Personal, Two Marriages, Notes on Sontag and Totally Tenderly Tragically. He is also the editor of several anthologies, such as Art of the Personal Essay, Writing New York and American Movie Critics. He teaches in the graduate division of Columbia University, and lives with his wife and daughter in Brooklyn.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2010 Phillip Lopate
2010
PAJ: A Journal of Performance and Art (2010) 32 (2 (95)): 51–54.
Citation
Phillip Lopate; The French Line. PAJ: A Journal of Performance and Art 2010; 32 (2 (95)): 51–54. doi: https://doi.org/10.1162/pajj.2010.32.2.51
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