Performance Geometries—A Primer

RYAN ANTHONY HATCH is a doctoral candidate of the Center for the Study of Psychoanalysis and Culture at the State University of New York, University at Buffalo. His dissertation examines the political ontology of antitheatricality in avant-garde theatre from Brecht to Young Jean Lee. He is also a member of the editorial collective of Umbr(a): a journal of the unconscious, a founding member of the Buffalo Circle of the École freudienne du Québec, and a theatre critic for Culturebot.