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May 01 2015
Off the Grid: New York City Landmark Performance
Bertie Ferdman
Bertie Ferdman
Bertie Ferdman is a writer/scholar/teacher whose focus is on contemporary performance. Her articles and reviews have appeared in Theater, PAJ, TDR, Performance Research, Theatre Journal, and Theatre Survey, as well as on the website HowlRound, where she is a regular contributor. She is co-editor, with Tom Sellar, of a special edition of Theater on Performance Curators. Her current book project is titled Off-Site: contemporary performance beyond the site-specific. She is assistant professor in the Department of Speech, Communications, and Theatre Arts at Borough Manhattan Community College, CUNY.
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Bertie Ferdman
Bertie Ferdman is a writer/scholar/teacher whose focus is on contemporary performance. Her articles and reviews have appeared in Theater, PAJ, TDR, Performance Research, Theatre Journal, and Theatre Survey, as well as on the website HowlRound, where she is a regular contributor. She is co-editor, with Tom Sellar, of a special edition of Theater on Performance Curators. Her current book project is titled Off-Site: contemporary performance beyond the site-specific. She is assistant professor in the Department of Speech, Communications, and Theatre Arts at Borough Manhattan Community College, CUNY.
This article would not have been made possible without the artists and curators who generously gave their time to speak to me about their work, as well as the photographers who kindly offered permission to reprint their images. Thank you to Todd Shalom, Sherry Dobbin, Sarah McMillan, Gabriele Schafer, Nick Fracaro, Juliana Francis Kelly, Anne Hamburger, Martha Bowers, Ida C. Benedetto, N.D. Austin, Jeff Stark, Gülgün Kayim, Todd Seelie, Margaret Morton, Brian Rose, Mark Krawczuk, and Veronica Dougherty.
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2015 Performing Arts Journal, Inc.
2015
PAJ: A Journal of Performance and Art (2015) 37 (2 (110)): 13–29.
Citation
Bertie Ferdman; Off the Grid: New York City Landmark Performance. PAJ: A Journal of Performance and Art 2015; 37 (2 (110)): 13–29. doi: https://doi.org/10.1162/PAJJ_a_00256
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