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September 2016
September 01 2016
Incendiary Acts And Apocryphal Avant-Gardes: Thích Qu
ng Ðú'c, Self-Immolation, and Buddhist Spiritual Vanguardism
James M. Harding
James M. Harding
James M. Harding is Associate Professor of Theatre and Performance Studies at the University of Maryland, College Park. He is the author of The Ghosts of the Avant-garde(s): Exorcising Experimental Theater and Performance and Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. The following essay is drawn from a book in progress, tentatively entitled Performance Beyond the Pale: Politics, Sacrifice and Bodies in Extremis.
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James M. Harding
James M. Harding is Associate Professor of Theatre and Performance Studies at the University of Maryland, College Park. He is the author of The Ghosts of the Avant-garde(s): Exorcising Experimental Theater and Performance and Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. The following essay is drawn from a book in progress, tentatively entitled Performance Beyond the Pale: Politics, Sacrifice and Bodies in Extremis.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2016 Performing Arts Journal, Inc.
2016
PAJ: A Journal of Performance and Art (2016) 38 (3 (114)): 31–50.
Citation
James M. Harding; Incendiary Acts And Apocryphal Avant-Gardes: Thích Qung Ðú'c, Self-Immolation, and Buddhist Spiritual Vanguardism. PAJ: A Journal of Performance and Art 2016; 38 (3 (114)): 31–50. doi: https://doi.org/10.1162/PAJJ_a_00333
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