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September 2016
September 01 2016
Incinerations: The Polylogue and the Trace
Manuel Cirauqui
Manuel Cirauqui
Manuel Cirauqui is a writer and a curator. Recent projects include Dia Art Foundation's Allora & Calzadilla: Puerto Rican Light (Cueva Vien-tos) in Guayanilla-Peñuelas and the retrospective Iván Navarro, Un guerra silenciosa e imposible at CA660 in Santiago de Chile, and their catalogues. Currently working as a curator at Guggenheim Bilbao, he is also the producer of the radio program §ympo§ium on WGXC (New York).
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Manuel Cirauqui
Manuel Cirauqui is a writer and a curator. Recent projects include Dia Art Foundation's Allora & Calzadilla: Puerto Rican Light (Cueva Vien-tos) in Guayanilla-Peñuelas and the retrospective Iván Navarro, Un guerra silenciosa e imposible at CA660 in Santiago de Chile, and their catalogues. Currently working as a curator at Guggenheim Bilbao, he is also the producer of the radio program §ympo§ium on WGXC (New York).
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2016 Performing Arts Journal, Inc.
2016
PAJ: A Journal of Performance and Art (2016) 38 (3 (114)): 77–89.
Citation
Manuel Cirauqui; Incinerations: The Polylogue and the Trace. PAJ: A Journal of Performance and Art 2016; 38 (3 (114)): 77–89. doi: https://doi.org/10.1162/PAJJ_a_00338
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