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January 2019
January 01 2019
Choreographies of Power: The Public Movement Collective
Francesco Spampinato
Francesco Spampinato
Francesco Spampinato is a contemporary art and visual culture historian and writer who has recently completed a Ph.D. in Études Cinématographiques et Audiovisuelles at Sorbonne Nouvelle, Paris. His most recent publications include the book Art Record Covers and the essay “Man, Machine, Monument: The New Italian Man” for the exhibition catalogue of Post Zang Tumb Tuuum. Art Life Politics Italia: 1918–1943 at Fondazione Prada, Milan, 2018
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Francesco Spampinato
Francesco Spampinato is a contemporary art and visual culture historian and writer who has recently completed a Ph.D. in Études Cinématographiques et Audiovisuelles at Sorbonne Nouvelle, Paris. His most recent publications include the book Art Record Covers and the essay “Man, Machine, Monument: The New Italian Man” for the exhibition catalogue of Post Zang Tumb Tuuum. Art Life Politics Italia: 1918–1943 at Fondazione Prada, Milan, 2018
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2019 Francesco Spampinato
2019
Francesco Spampinato
PAJ: A Journal of Performance and Art (2019) 41 (1 (121)): 22–33.
Citation
Francesco Spampinato; Choreographies of Power: The Public Movement Collective. PAJ: A Journal of Performance and Art 2019; 41 (1 (121)): 22–33. doi: https://doi.org/10.1162/pajj_a_00447
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