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/2/m_pajj.2019.41.issue-2.cover.jpeg?Expires=1728946631&Signature=VDjmy8yZbwcm8JMDJBY2pAu9L0L-4wrf89WTL2AeT2K2kkl3r6rVZscZUt2hxycUegKwZYOWBkfzXcoSakwMn17pt~~PGRCCo52JSs9lvIcNf1052uG-n24t0Xhh3TM6FMArcf6QhQh~IrxKqhGriHpQnKda0AN-3O5zBIlHHlzc-aIl2nKPvEW49Wb-08DYRQ5YzMrGdN5B~Nv5YNLfFi4oEfQ2K9a2pHPYRwprd7tadG1vkr9aJlJmkhu7g67DQPpsAVQKoS6tI~UCrR253jZZXctf8QgFkGZtV-V3tBAJuXE5~ITOQ9G-flMsu~8wWyfDA-YhTggVIMPXsMLFeQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
May 01 2019
Pulled From the Shadows: William Kentridge's African Dance of Death
Ann McCoy
Ann McCoy
Ann McCoy is an artist, art historian, art critic, and occasional theatre designer. She lectures on art history, mythology, and the history of projection in the graduate design section of the Yale School of Drama.
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Ann McCoy
Ann McCoy is an artist, art historian, art critic, and occasional theatre designer. She lectures on art history, mythology, and the history of projection in the graduate design section of the Yale School of Drama.
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2019 Ann McCoy
2019
Ann McCoy
PAJ: A Journal of Performance and Art (2019) 41 (2 (122)): 19–26.
Citation
Ann McCoy; Pulled From the Shadows: William Kentridge's African Dance of Death. PAJ: A Journal of Performance and Art 2019; 41 (2 (122)): 19–26. doi: https://doi.org/10.1162/pajj_a_00460
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