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/2/m_pajj.2019.41.issue-2.cover.jpeg?Expires=1731530255&Signature=YRKZni60H0PvfGKoWhw~w3Vfvp8RqmXgu1ZdzkfcG~iMMZDTeqS5nUFai5P7yRFMSrT0rD9ZakwD-rOedahfTcKiiIUy9YmxzIm5Z3VsoX5n8Tp3R1GNL9JYy9m5z35Fx3U41QtL6gM1kPyn-lluXtD9BLgjvyyAW31m-EwdU0EAOP8rerG8UCfvrxaDi9MVcZkXyaU2q6BneARUpohkunQwIMKsHaA4rbFKZkTpQT2YjRMo-Bupv4IZz5BE8SbWJDibj7iijwgLkKQ354IBO6MAKyn2m2JPSz6y1BmpD-dis9ycJwDs2qCNUVAq~ohXlDRN~10QT5aArvMGVv80Rw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
May 01 2019
Posthuman Visions
Sarah Lucie
Sarah Lucie
Sarah Lucie is a PhD candidate in theatre at The Graduate Center, CUNY. Her research interests include objects in performance and the nonhuman environment, postdramatic theatre, and intercultural adaptation.
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Sarah Lucie
Sarah Lucie is a PhD candidate in theatre at The Graduate Center, CUNY. Her research interests include objects in performance and the nonhuman environment, postdramatic theatre, and intercultural adaptation.
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2019 Performing Arts Journal, Inc.
2019
Performing Arts Journal, Inc.
PAJ: A Journal of Performance and Art (2019) 41 (2 (122)): 75–79.
Citation
Sarah Lucie; Posthuman Visions. PAJ: A Journal of Performance and Art 2019; 41 (2 (122)): 75–79. doi: https://doi.org/10.1162/pajj_a_00473
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