Skip Nav Destination
Article navigation
January 2021
January 01 2021
Embodied Abstraction: The Dancing and Drawing of Nancy Topf
Paisid Aramphongphan
Paisid Aramphongphan
Paisid Aramphongphan is an independent scholar, movement practitioner, and certified yoga teacher. He holds a PhD in the history of art and architecture from Harvard University. His book, Horizontal Together: Art, Dance, and Queer Embodiment in 1960s New York, is forthcoming.
Search for other works by this author on:
Paisid Aramphongphan
Paisid Aramphongphan is an independent scholar, movement practitioner, and certified yoga teacher. He holds a PhD in the history of art and architecture from Harvard University. His book, Horizontal Together: Art, Dance, and Queer Embodiment in 1960s New York, is forthcoming.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2021 Paisid Aramphongphan
2021
Paisid Aramphongphan
PAJ: A Journal of Performance and Art (2021) 43 (1 (127)): 116–125.
Citation
Paisid Aramphongphan; Embodied Abstraction: The Dancing and Drawing of Nancy Topf. PAJ: A Journal of Performance and Art 2021; 43 (1 (127)): 116–125. doi: https://doi.org/10.1162/pajj_a_00553
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
81
Views
0
Citations
Advertisement
Cited By
Related Articles
Real Professionals?: Andy Warhol, Fred Herko, and Dance
PAJ: A Journal of Performance and Art (May,2015)
A Questionnaire on Decolonization
October (December,2020)
History in the Present Progressive: Sonic Imposture at The Pedicord Apts
TDR/The Drama Review (December,2015)
Related Book Chapters
Profile: Nancy Kress
Entanglements: Tomorrow's Lovers, Families, and Friends
Embodiment
Giving a Damn: Essays in Dialogue with John Haugeland
A DRAWING TOGETHER
The Design Way: Intentional Change in an Unpredictable World
Embodied Formalism
Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics