Icelandic artist Ragnar Kjartansson's nine-channel video installation The Visitors, acclaimed by The Guardian as “the best artwork of the century so far,” was commissioned by the Migros Museum in Zürich in 2012 and has been traveling the world ever since.1 Kjartansson gathered a group of friends from the Reykjavik music scene and installed them for a week in the mansion at Rokeby, a nineteenth-century estate in upstate New York owned by descendants of the Astor family. At the end of the week, they filmed the videos that make up the installation simultaneously in a single take. Eight of the nine screens that make up the installation show a single room in the house containing, for most of the piece's sixty-four minute run time, a single musician, including three guitarists (two electric and one acoustic), two pianists (one of whom doubles on bass guitar), an accordionist, a cellist, and...
Ragnar Kjartansson and the Art of Pleasure
Philip Auslander is a professor of performance studies and popular musicology in the School of Literature, Media, and Communication of the Georgia Institute of Technology. He is the author of numerous scholarly articles and seven books, including Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance, Liveness: Performance in a Mediatized Culture, Reactivations: Essays on Performance and Its Documentation, and most recently, In Concert: Performing Musical Persona. His essay published here derives from a talk presented at the High Museum of Art, Atlanta in May of 2021. Auslander is also a screen actor and writer. Dr. Blues, a short film Auslander wrote, produced, and acted in, premiered at the Peachtree Village International Film Festival in Atlanta in October 2019.
Philip Auslander is a professor of performance studies and popular musicology in the School of Literature, Media, and Communication of the Georgia Institute of Technology. He is the author of numerous scholarly articles and seven books, including Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance, Liveness: Performance in a Mediatized Culture, Reactivations: Essays on Performance and Its Documentation, and most recently, In Concert: Performing Musical Persona. His essay published here derives from a talk presented at the High Museum of Art, Atlanta in May of 2021. Auslander is also a screen actor and writer. Dr. Blues, a short film Auslander wrote, produced, and acted in, premiered at the Peachtree Village International Film Festival in Atlanta in October 2019.
Philip Auslander; Ragnar Kjartansson and the Art of Pleasure. PAJ: A Journal of Performance and Art 2022; 44 (2 (131)): 108–119. doi: https://doi.org/10.1162/pajj_a_00616
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