Based in the Austrian Alps, Antoine Wagner is a Franco-American photographer and video installation artist whose work engages mythological and narrative interpretations of nature. After studying theatre and political science at Northwestern University, Wagner completed a summer residency program at the Watermill Center, and later worked for filmmaker Michael Haneke, whose cinematographer, Darius Khondji, Wagner considers to be an important mentor. Over the years, Wagner’s artistic practice has also included film, opera, sculpture, and drawing. His many exhibitions have been held across Europe, North America, and Asia, including the Collection Lambert in Avignon, Hamburg’s Museum am Rothenbaum, the Stedelijk Museum Breda, the National Gallery of Armenia, and Tokyo’s Goethe-Institut. Wagner has also collaborated with classical musicians including pianist David Fray and Le Concert d’Astrée, led by conductor Emmanuelle Haïm. His latest installations, derived from his digital platform Impossible Forest, project large-scale images of trees and landscapes onto urban spaces....
Skip Nav Destination
Article navigation
January 2023
January 01 2023
From Landscapes to Projection Drama
Philip Cluff
Philip Cluff
Philip Cluff is a writer based in London. He is the author of a biography of Portuguese dictator Antonio Oliveira Salazar and a history of Antigua.
Search for other works by this author on:
Antoine Wagner
Philip Cluff
Philip Cluff is a writer based in London. He is the author of a biography of Portuguese dictator Antonio Oliveira Salazar and a history of Antigua.
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2023 Performing Arts Journal, Inc.
2023
Performing Arts Journal, Inc.
PAJ: A Journal of Performance and Art (2023) 45 (1 (133)): 76–80.
Citation
Antoine Wagner, Philip Cluff; From Landscapes to Projection Drama. PAJ: A Journal of Performance and Art 2023; 45 (1 (133)): 76–80. doi: https://doi.org/10.1162/pajj_a_00644
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
17
Views
Advertisement
Cited By
Related Articles
Whodunnit? Crime Drama as a Case for Natural Language Understanding
Transactions of the Association for Computational Linguistics (January,2018)
Gameplay, Interactive Drama, and Training: Authoring Edutainment Stories for Online Players (AESOP)
Presence: Teleoperators and Virtual Environments (February,2007)
Algorithms and Interoperability between Drama and Artificial Intelligence
TDR/The Drama Review (December,2019)
We “Other Victorians”? Novelistic Remains, Therapeutic Devices, Contemporary Televisual Dramas
Daedalus (January,2021)
Related Book Chapters
The Drama of the Street
States of Childhood: From the Junior Republic to the American Republic, 1895-1945
Fizzing Intensities: Strange Dramas of Capsular Collectives
Transit Life: How Commuting Is Transforming Our Cities
“IT’S ALL COMMON SENSE!”: Kids, Drama, and Internet Safety
Framing Internet Safety: The Governance of Youth Online
Stay Left: Post-2000 Television Drama Production in China
Zoning China: Online Video, Popular Culture, and the State