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/2/m_pajj.2008.30.issue-3.cover.jpeg?Expires=1678351158&Signature=lCwBsbLhkU7qvjDIZQQDImTTM~nf1cP1XxQloRlLxvftCRO4xCjZeQ7ApqVsQudfc-iE8qOXBk1ygrdaES4NVILBcA33g4GeI9HMthTUuU0qdReDWfU4b52bynNTTuDFkaSx7HPpkAfG92uyNTONsBen-JnnR9SojZx1ekzJvBhw1Neio1~AF2PnnsyYG0ICzV0xzlK-Ow6jHG2AV2q~jUHMzala0YNHngNHQv~-AWaxiuyYY7jBcq2vVNGzFYIMY7ofo1zJzcJIpIxozK~FFhckGWb58ZyafuMqNBfLuJpifUsicRJfP8NTe12Hqo5GLJW2i7HuszdIv3F3j~5KgQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
September 01 2008
One from Column A, Two from Column B: Richard Foreman on the Writing Process
George Hunka
George Hunka
George Hunka is a theatre writer and playwright. The artistic director of theatre minima, he is the recipient of a 2007 Albee Foundation Fellowship. His reviews and essays have appeared in print in the New York Times and Time Out New York, and online at his blog, Superfluities <http://ghunka.blogspot.com>.
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George Hunka
George Hunka is a theatre writer and playwright. The artistic director of theatre minima, he is the recipient of a 2007 Albee Foundation Fellowship. His reviews and essays have appeared in print in the New York Times and Time Out New York, and online at his blog, Superfluities <http://ghunka.blogspot.com>.
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2008 George Hunka
2008
PAJ: A Journal of Performance and Art (2008) 30 (3 (90)): 104–105.
Citation
George Hunka; One from Column A, Two from Column B: Richard Foreman on the Writing Process. PAJ: A Journal of Performance and Art 2008; 30 (3 (90)): 104–105. doi: https://doi.org/10.1162/pajj.2008.30.3.104
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