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/2/m_pajj.2008.30.issue-3.cover.jpeg?Expires=1729406661&Signature=FD6nQY3Mg2ME4Vy0dryfpmS4OOaQPaup0p5N6mKyyyeTmVq07kKhroMgsqhzlyXxju7UE3qdMSWYX93VZrrbUopPAWm~g2IzU-6xymLgq2l0Vf9X8juv8x6Hi8~3~sQprtUSzdcfbxhrFNMbSnbZJnUjh38jx2YolufJJd389lGB4zxTSxHX9V-uAxjTV58uhckpLwIJJdY3AICK-T1LMxgZFs7Fgxt0lo4KYm4v15STpq2IUZentt5GOFItySL1xp-G~4eziOIShiFtY68KMEnvCsbbCArFzl~Kj22loseL6eWEdw6wpGU-8NR9nN4p6yUC2i4Y985kcKO0gF3F3w__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
September 01 2008
One from Column A, Two from Column B: Richard Foreman on the Writing Process
George Hunka
George Hunka
George Hunka is a theatre writer and playwright. The artistic director of theatre minima, he is the recipient of a 2007 Albee Foundation Fellowship. His reviews and essays have appeared in print in the New York Times and Time Out New York, and online at his blog, Superfluities <http://ghunka.blogspot.com>.
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George Hunka
George Hunka is a theatre writer and playwright. The artistic director of theatre minima, he is the recipient of a 2007 Albee Foundation Fellowship. His reviews and essays have appeared in print in the New York Times and Time Out New York, and online at his blog, Superfluities <http://ghunka.blogspot.com>.
Online ISSN: 1537-9477
Print ISSN: 1520-281X
© 2008 George Hunka
2008
PAJ: A Journal of Performance and Art (2008) 30 (3 (90)): 104–105.
Citation
George Hunka; One from Column A, Two from Column B: Richard Foreman on the Writing Process. PAJ: A Journal of Performance and Art 2008; 30 (3 (90)): 104–105. doi: https://doi.org/10.1162/pajj.2008.30.3.104
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