Skip Nav Destination
Article navigation
/2/m_pajj.2015.109.issue-1.cover.jpeg?Expires=1621285653&Signature=aLHHTVqmcvoqkY6XozCrSiVsxH655mhGJOCz2xS6eOcsOALxfXIf-ikI6k0fZibBtu4XARzXw6PK9~fS5VOo8YvwjhWBDOMYx3ojI6PIA6t5uXfzqBZM1uzVqbHsbODKm0Pe8UcMviNc1WUueqm2g6WX~R9koZ00fHRBKwFQeCCjjhaVJoSX5~2XNqNmU5ZHQuC4RO7rGgPCXlncSOk0BpPGSmw0lTQRUv5Wz2IFfD9kPp2c7KQvnRuj57MTri6SNdDQj-cMitJfA1rv3ze71Bh1bpquINczOTybky61nn0ByalaBV2wWwFarB22EZkSiVphhnqE2FOqxaIQptFuBg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
January 01 2015
Revolutionary Theatre of the Absurd from the Arab World
Robert Myers
Nada Saab
Online Issn: 1537-9477
Print Issn: 1520-281X
© 2015 Performing Arts Journal, Inc.
2015
PAJ: A Journal of Performance and Art (2015) 37 (1 (109)): 94–96.
Citation
Robert Myers, Nada Saab; Revolutionary Theatre of the Absurd from the Arab World. PAJ: A Journal of Performance and Art 2015; 37 (1 (109)): 94–96. doi: https://doi.org/10.1162/PAJJ_a_00249
Download citation file:
/10.1162_pajj_a_00249/2/pajj_a_00249.pdf.gif?Expires=1620992171&Signature=raGGPNsMr755mt69ROGVkgIPfCWWyelpXm-KOTEdIo3fpl-Nx~3ClLYUQdvJfJCOMh8H-NQVF-w-NKYGwsErKfBnyl9ie9V~cmezjQyWpqo0FwQG37Eo-lp2EzxdZsaZTmObZmI5j9VBsAsnVwiAqatiNbFFYKDZNBEI1av2o~ZVqEXKUhKt1Mx-Binnbx2c3Ru1QYGSwthrFGCmlt7hHoUHGTgBLZEAM26BHtDOZzdYcF-QQX2w4sOdP8AE0Hel8ALUTDJt2cGrmU446eNkun3UHOn6BOSsWWCauFNgl0Y1m722UVEKfACxIatxZrRMvakFpq32naLDZY7nNTtA3w__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Email alerts
1
Views
0
Citations
Advertisement
Cited By
Related Articles
It Came like a Windfall
African Arts (April,1971)
Shortcut to Success
African Arts (January,1971)
Related Book Chapters
Absurd Utilitarianism
Philosophical Provocations: 55 Short Essays
Conclusion: Laughter and Networked Absurdism
Who's Laughing Now?: Feminist Tactics in Social Media
Conclusion: Laughter and Networked Absurdism
Who's Laughing Now?: Feminist Tactics in Social Media
The Prosaic and the Absurd in Their Creative Context
Modes of Creativity: Philosophical Perspectives
