The façade of Volksbühne am Rosa-Luxemburg-Platz in winter 2022. In the foreground, the giant walking-wheel that was the symbol of the Volksbühne under Frank Castorf from 1992 until 2017, back in front of the building after a several-year absence. Photo: © Thomas Aurin. Courtesy Volksbühne am Rosa-Luxemburg-Platz.
The façade of Volksbühne am Rosa-Luxemburg-Platz in winter 2022. In the foreground, the giant walking-wheel that was the symbol of the Volksbühne under Frank Castorf from 1992 until 2017, back in front of the building after a several-year absence. Photo: © Thomas Aurin. Courtesy Volksbühne am Rosa-Luxemburg-Platz.
EDITORIAL
Common Ground
Bonnie Marranca
Singing in Dark Times
Report from Berlin
Matt Cornish
FOOD & PERFORMANCE
Dancers, Mountains, and People in the Fields
Adam Weinert
Sprouts for Life
Eco-Feminism and Performance
Leslie Labowitz in conversation with Jacki Apple
Sculpting Time
Sara Rudner in Her Studio
Emily Coates
Transmission Mysteries
Art and Technophilia
Kenneth King
Sun Through Broken Screen
Murakami and Gutai
Kay Nishikawa
ART & PERFORMANCE NOTES
Trajal Harrell
The Anxiety of Autobiography
Brit Barton
Dancer of the Year, a performance by Trajal Harrell, Kunsthalle Zürich, Zurich, Switzerland
Learning to Listen
Sarah Lucie
Particular Matter(s), an installation by Tomás Saraceno, The Shed, New York, NY
Social Injustice
Paul David Young
Qui a tué mon père, a performance by Édouard Louis, St. Ann's Warehouse, Brooklyn, NY
Beyond Making Sense
Christian Grueny
Under Bright Light, a performance by Forced Entertainment, PACT Zollverein, Essen, Germany
PLAY
All Right. Good Night. (Excerpt)
Helgard Haug (Rimini Protokoll)
BOOKS & COMPANY
Between the Sacred and the Profane
The Works and Days of Lee Breuer
Olga Taxidou
Getting Off: Lee Breuer on Performance by Lee Breuer with Stephen Nunns; La Davina Caricatura by Lee Breuer with photographs by Beatriz Schiller