The façade of Volksbühne am Rosa-Luxemburg-Platz in winter 2022. In the foreground, the giant walking-wheel that was the symbol of the Volksbühne under Frank Castorf from 1992 until 2017, back in front of the building after a several-year absence. Photo: © Thomas Aurin. Courtesy Volksbühne am Rosa-Luxemburg-Platz.
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The façade of Volksbühne am Rosa-Luxemburg-Platz in winter 2022. In the foreground, the giant walking-wheel that was the symbol of the Volksbühne under Frank Castorf from 1992 until 2017, back in front of the building after a several-year absence. Photo: © Thomas Aurin. Courtesy Volksbühne am Rosa-Luxemburg-Platz.

The façade of Volksbühne am Rosa-Luxemburg-Platz in winter 2022. In the foreground, the giant walking-wheel that was the symbol of the Volksbühne under Frank Castorf from 1992 until 2017, back in front of the building after a several-year absence. Photo: © Thomas Aurin. Courtesy Volksbühne am Rosa-Luxemburg-Platz.
View largeDownload slide

The façade of Volksbühne am Rosa-Luxemburg-Platz in winter 2022. In the foreground, the giant walking-wheel that was the symbol of the Volksbühne under Frank Castorf from 1992 until 2017, back in front of the building after a several-year absence. Photo: © Thomas Aurin. Courtesy Volksbühne am Rosa-Luxemburg-Platz.

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    Common Ground

     Bonnie Marranca

Singing in Dark Times

Report from Berlin

Matt Cornish

    Dancers, Mountains, and People in the Fields

     Adam Weinert

    Sprouts for Life

     Eco-Feminism and Performance

     Leslie Labowitz in conversation with Jacki Apple

Sculpting Time

Sara Rudner in Her Studio

Emily Coates

Transmission Mysteries

Art and Technophilia

Kenneth King

Sun Through Broken Screen

Murakami and Gutai

Kay Nishikawa

    Trajal Harrell

     The Anxiety of Autobiography

     Brit Barton

     Dancer of the Year, a performance by Trajal Harrell, Kunsthalle Zürich, Zurich, Switzerland

    Learning to Listen

     Sarah Lucie

     Particular Matter(s), an installation by Tomás Saraceno, The Shed, New York, NY

    Social Injustice

     Paul David Young

     Qui a tué mon père, a performance by Édouard Louis, St. Ann's Warehouse, Brooklyn, NY

    Beyond Making Sense

     Christian Grueny

     Under Bright Light, a performance by Forced Entertainment, PACT Zollverein, Essen, Germany

    All Right. Good Night. (Excerpt)

     Helgard Haug (Rimini Protokoll)

    Between the Sacred and the Profane

     The Works and Days of Lee Breuer

     Olga Taxidou

     Getting Off: Lee Breuer on Performance by Lee Breuer with Stephen Nunns; La Davina Caricatura by Lee Breuer with photographs by Beatriz Schiller

© 2022 Performing Arts Journal, Inc.
2022
Performing Arts Journal, Inc.