Skip Nav Destination
Issues
/2/m_pajj.2002.24.issue-1.cover.jpeg?Expires=1729608692&Signature=413Hq2WkVDoQQ5BgUmZWmjVtu7i61h97bYRLkEpYSZnv-l9Y2hoDq2MQkOJRh2~xSmUcXx-xrjcAXn3J6JKGAVHczjAB4CiW2PImkv7EFB2c1nqjZ~gdq6wwIzeHgMpb8Qx3ZQLLgJZndp5FT1~uauexyAdP19euv7Wn0Dn5Rg4vxBaYQ7kh9ookwjaW9VBfNhdqw8Xn7J66PkmoT9q1Bch4RWHUTHzkJWPQjftXAE99p9JFJK0QXGpL09U~8ZIgKE33CH9Ll8gtuG-Xi6bc8ilz-bMSVR7p6DjS~u5N2P~VooywVcfP4lDDfEwQEeVOyOM8zIDnCIuZx6SdAAxgPA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/2/pajj.2002.24.issue-1.cover.jpeg?Expires=1729608692&Signature=H-46ZrUaJmCZYbQTXGjbn~QUBSEpdRw8ksH-EgvnBwImYqNsWfGUvJVxXraCAW9Ck1uLMo-uhjhUosfXtUM7~oNu1mG1iEzd7WZPJt0zkwhgkRyOrEiU0bfK6CFYdsvHpC7vikZzeg6Ig1gBjmRFRNregyE3UKZ2hU76vXyNWJp7OmTxSLAKgSfR6oXJehzg1k1EhVddlmLzVC-BWeEmqxNxM8o3CPouf2nX7xZq0CxXrKAlpl3er~RFgcZtK2f6VK~LsMSSkzVyIWzWh3TJ4xqjgXGIbHZwCAZ~k6IPrG~Z7YKrJIUMCq1E3GjUGiYxdduzMfEx0ltmsCIQYdYH~w__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Editorial
Interview
Enemy of Nostalgia: Victim of the Present, Critic of the Future
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 5–15.
Features
Live From Cyberspace: or, I was sitting at my computer this guy appeared he thought I was a bot
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 16–21.
The Human Nature of the BOT: A Response to Philip Auslander
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 22–24.
Virtuality and Performativity: Recreating Rome's Theatre of Pompey
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 25–43.
Transmissible Evidence: Is This the End of Film?
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 44–51.
The Impermanence Agent: Project and Context
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 52–83.
Special Section: Digital Performance
The Ghost in the Machine: Merce Cunningham and Bill T. Jones
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 94–104.
Digital Passage: The Rhizomatic Frontiers of the ZKM
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 115–119.
Art & Performance Notes
Art in a Complex System: The Paintings of Matthias Groebel
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 127–132.
Live Performance and Technology: The Example of Jet Lag
PAJ: A Journal of Performance and Art (2002) 24 (1 (70)): 133–139.
Email alerts
Advertisement