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Issues
Editorial
Art, Media, Global Politics
Art and Crisis: Homeland Security and the Noble Savage
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 5–19.
Features
Time and Place Do Exist: Strindberg and Visual Media
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 51–63.
Interview
Barbara Pollack Photographs: The Subject Reflects
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 64–74.
Feature
Second Skin: The Theatrical Passion of Tanja Jacobs
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 75–84.
Art & Performance Notes
Behind the Scenes: Gregor Schneider's Totes Haus ur
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 85–90.
Impersonations: Morimura, Colette, and Dellsperger in Costume
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 91–94.
A Repainted General: Georg Baselitz Filtering the Past
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 95–99.
Movin' Out and Movin' On: Twyla Tharp and Billy Joel on Broadway
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 100–104.
If You Lived Here You'd be Home Now: Performance in Los Angeles
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 105–113.
Books & Company
Choreographies of Language: Assessing Ann Daly
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 114–117.
The Greek World Revisited: Carl R. Mueller Translates Aeschylus
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 118–126.
Play
Miroslav Krleža: A Croatian Writer Against War
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 132–134.
Finale: An Essay in Fifty Centuries of Synthesis
PAJ: A Journal of Performance and Art (2003) 25 (3 (75)): 135–140.
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