Skip Nav Destination
Issues
Feature
The Kulturstaat in the Time of Empire: Notes on Germany Thirteen Years After
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 1–15.
Ain't No Sunshine: The Cinema in 2003
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 26–39.
Interview
The Universal: The Simplest Place Possible
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 16–25.
Lee Breuer and Mabou Mines
Breuer as Director: Portfolio of Mabou Mines productions directed by Lee Breuer
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 47–51.
From Dog to Ant: The Evolution of Lee Breuer's Animations
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 52–60.
Features
Mining the Urban Divide: The Work of Matthew McCaslin
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 66–72.
Art & Performance Notes
Leslie Satin and the Dance of Memory
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 73–79.
Calligraphies: Asian Dance in Chicago
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 80–86.
Animation Dances with Percussion: Sound and Vision Interlocked in Australia
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 87–91.
The Logic of Wiggles: Amanda Church's Sunny Biomorphs
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 92–95.
The 2003 BAM Next Wave: New American Works
Global Friends: The Builders Association at BAM
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 96–102.
Shallow Hal, Chipper Bob: Mood Swinging at the Next Wave
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 103–109.
Play
Rape as War Strategy: A Drama from Croatia
PAJ: A Journal of Performance and Art (2004) 26 (2 (77)): 110–114.
Email alerts
Advertisement