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Issues

Vol. 31, Issue 3 (93)
September 2009
PAJ: A Journal of Performance and Art Cover Image for Volume 31, Issue 3 (93)
All Issues
ISSN 1520-281X
EISSN 1537-9477

Features

The Legacy of Maria Irene Fornes: A Collection of Impressions and Exercises
Caridad Svich
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 1–32.
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Their Hands Full of Ghosts: Goat Island at the Last
Joe Kelleher
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 98–107.
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Staging the Image: Video in Contemporary Performance
Patricia Milder
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 108–119.
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Transmission Arts

Transmission Arts: The Air that Surrounds Us
Galen Joseph-Hunter
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 33–40.
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Bottled
Joe Milutis
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 41–43.
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Deep Cycle: The Reincarnation of Herman Meydag
Max Goldfarb
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 44–45.
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Transmission Art in the Present Tense
Anna Friz
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 46–49.
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Towards a Programmable Transmission Arts Platform
Brett Ian Balogh
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 50–52.
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June 3, 2123
Tom Roe
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 53–54.
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Instructions for Listening to Radio
Alexis Bhagat
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 55–56.
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Performance Drawings

Ryoanji: Solos for Oboe, Flute, Contrabass, Voice, Trombone With Percussion or Orchestral Obbligato (1983–85)
John Cage
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 57–64.
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Art & Performance Notes

Jan Fabre's Crusade Against Shopping Culture
Laurens De Vos
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 65–73.
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American Voices: Robert Ashley and New Opera
Alan Lockwood
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 74–82.
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Echoes of Strindberg in Contemporary Chile
Miriam Felton-Dansky
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 83–91.
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Are We Human, or Are We Dancer?
Thom Donovan
PAJ: A Journal of Performance and Art (2009) 31 (3 (93)): 92–97.
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