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Water
Cross-Currents in Water-Based Performance
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 1–21.
Articles
We Started a Nightclub: Building the Pyramid
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 22–45.
Doing Nothing / Nothin’ Doin'!: Revisiting a Minimalist Approach to Performance
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 46–49.
Reevaluating Actionism: Austrian Performance, Then and Now
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 50–57.
Looking at Dancers, Buildings, and People in the Street
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 65–76.
Cardiovascular Chopin: Ending at the Beginning with Guido Van der Werve
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 111–123.
Art & Performance Notes
Leaning, Carrying, Standing: Gordon Hall and the Politics of Form
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 96–101.
Books & Company
Post-Communist Specters: Polish Theatre in the Twenty-First Century
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 124–127.
after the red army faction: gender, culture, militancy
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 128–129.
“We're People Who Do Shows”: Back to Back Theatre — Performance, Politics, Visibility
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 130–131.
Immersive Theatres: Intimacy and Immediacy in Contemporary Performance
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 131–132.
Comradely Greetings: The Prison Letters of Nadya and Slavoj
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 132–133.
Misled by Nature: Contemporary Art and the Baroque; Riotous Baroque: From Cattelan to Zurbarán — Tributes to Precarious Vitality
PAJ: A Journal of Performance and Art (2015) 37 (3 (111)): 134–135.
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