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Articles
Hillbilly Tragedy: What's Not Playing in American Theatres in the 2017–18 Season
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 13–24.
Dance and Drawing
The Methodology for Choreographing Extreme Action
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 54–59.
The Dancer and the Computer, Part Two
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 60–65.
Article
Empty Duration and the Generosity of John Cage
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 78–84.
The Occult Art of L'ordre de la Rose+Croix du Temple et du Graal: Sâr Joséphin Péladan's R+C Salons, 1892–1897
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 98–106.
Art & Performance Notes
Play
Books & Company
Documenting Performance: The Context and Processes of Digital Curation and Archiving
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 133–137.
Black Performance on the Outskirts of the Left: A History of the Impossible
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 138–139.
Performance Art in Eastern Europe since 1960
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 139–140.
Microdramas: Crucibles for Theater and Time
PAJ: A Journal of Performance and Art (2018) 40 (2 (119)): 141–143.
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