Images and text capture the astonishing beauty of the chemical processes that create snowflakes, bubbles, flames, and other wonders of nature. Chemistry is not just about microscopic atoms doing inscrutable things; it is the process that makes flowers and galaxies. We rely on it for bread-baking, vegetable-growing, and producing the materials of daily life. In stunning images and illuminating text, this book captures chemistry as it unfolds. Using such techniques as microphotography, time-lapse photography, and infrared thermal imaging, The Beauty of Chemistry shows us how chemistry underpins the formation of snowflakes, the science of champagne, the colors of flowers, and other wonders of nature and technology. We see the marvelous configurations of chemical gardens; the amazing transformations of evaporation, distillation, and precipitation; heat made visible; and more. The visuals in The Beauty of Chemistry are drawn from the online exhibition Envisioning Chemistry created by Wenting Zhu and Yan Liang in collaboration with the Chinese Chemical Society. These striking images are accompanied by accessible, engaging explanations by award-winning science writer Philip Ball.

The history and controversial roots of the social design movement, explored through the life and work of its leading pioneer, Victor Papanek. In Victor Papanek: Designer for the Real World , Alison Clarke explores the social design movement through the life of its leading pioneer, the Austrian American designer, theorist, and activist Victor Papanek. Papanek's 1971 best seller, Design for the Real World: Human Ecology and Social Change has been translated into twenty-two languages and never fallen out of print. Its politics of social design, anti-corporatism, and environmental sustainability have found renewed pertinence in the twenty-first century and dominate the agendas of design schools today. Drawing extensively on previously unexplored archival sources, Clarke uncovers and contextualizes the movement's controversial origins and contradictions. Within the fields of design and environmental studies, Papanek is celebrated as a guru of alternative economics and progressive design. Yet Clarke overturns the notion that socially responsible and sustainable design emerged from the counterculture and alternative politics of the late 1960s and 1970s. Instead, she exposes its roots in the late Cold War technocratic culture and policies of US military and development interventionism. She examines the shift away from industrial design as an expression of industrial rationalism toward flawed attempts at humanitarian intervention through quasi-anthropological approaches and design strategies aimed at the socially and culturally excluded. She also casts a critical light on the current social design movement by revealing the macropolitics and neocolonial history in which it is embedded.