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Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0071
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0072
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0073
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0074
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0075
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0076
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0077
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0078
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.001.0001
EISBN: 9780262357081
Reports from America's political crisis, exposing a new “iconopolitics,” in which words and images lose their connection to reality. The political crisis that sneaked up on America—the rise of Trump and Trumpism—has revealed the rot at the core of American exceptionalism. Recent changes in the way words and images are produced and received have made the current surreality possible; communication through social media, by design, maximizes attention and minimizes scrutiny. In Co-Illusion , the noted writer on art, photography, and politics David Levi Strauss bears witness to the new “iconopolitics” in which words and images lose their connection to reality. The collusion that fueled Trump's rise was the secret agreement of voters and media consumers—their “co-illusion”—to set aside the social contract. Strauss offers dispatches from the epicenter of our constitutional earthquake, writing first from the 2016 Democratic and Republican conventions and then from the campaign. After the election, he switches gears, writing in the voices of the regime and of those complicit in its actions—from the thoughts of the President himself (“I am not a mistake. I am not a fluke, or a bug in the system. I am the System”) to the reflections of a nameless billionaire tech CEO whose initials may or may not be M. Z. Finally, Strauss shows us how we might repair the damage to the public imaginary after Trump exits the scene. Photographs by celebrated documentary photographers Susan Meiselas and Peter van Agtmael accompany the texts.
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0021
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0022
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0023
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0024
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0025
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0026
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0027
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0028
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0029
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0030
EISBN: 9780262357081
Publisher: The MIT Press
Published: 31 March 2020
DOI: 10.7551/mitpress/12745.003.0011
EISBN: 9780262357081
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