Reframing: Michael Parekōwhai's Indigenous Détournement of the Museum

Jones, Amelia

doi:10.1162/thld_a_00690

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May 01 2019

Reframing: Michael Parekōwhai's Indigenous Détournement of the Museum

Amelia Jones

AMELIA JONES is Robert A. Day Professor in Roski School of Art Design, USC. Recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012). Jones is currently working on a retrospective of the work of Ron Athey and a book, In Between Subjects: A Critical Genealogy of Queer Performance.

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Amelia Jones

AMELIA JONES is Robert A. Day Professor in Roski School of Art Design, USC. Recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012). Jones is currently working on a retrospective of the work of Ron Athey and a book, In Between Subjects: A Critical Genealogy of Queer Performance.

Online ISSN: 2572-7338

Print ISSN: 1091-711X

2019

Amelia Jones

Thresholds (2019) (47): 212–216.

https://doi.org/10.1162/thld_a_00690

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Reframing: Michael Parekōwhai's Indigenous Détournement of the Museum

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