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© 2024 Jocelyn Beausire
2024
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JOCELYN BEAUSIRE is a performance artist, spatial researcher, and designer pursuing her Masters of Architecture at Princeton University. She graduated from the University of Washington, Seattle in 2017 with a double BA in Architecture and Music Performance. Her research explores embodied action as a form of critical spatial practice and as an emergent design tool through a feminist, queer, and ruralizing lens. Her work, written and performed, has been featured in LOG: 56, Emergency Index, Arcade NW, Performance is Alive, FLUX Factory, Glasshouse, On The Boards, Base Experimental Arts + Space, and YellowFish Festival, among others.
JOCELYN BEAUSIRE is a performance artist, spatial researcher, and designer pursuing her Masters of Architecture at Princeton University. She graduated from the University of Washington, Seattle in 2017 with a double BA in Architecture and Music Performance. Her research explores embodied action as a form of critical spatial practice and as an emergent design tool through a feminist, queer, and ruralizing lens. Her work, written and performed, has been featured in LOG: 56, Emergency Index, Arcade NW, Performance is Alive, FLUX Factory, Glasshouse, On The Boards, Base Experimental Arts + Space, and YellowFish Festival, among others.
Jocelyn Beausire; Decay and Disruption: The Deterritorialization of Museum Dust. Thresholds 2024; (52): 18–29. doi: https://doi.org/10.1162/thld_a_00811
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