Abstract
In February 1949, less than a year before Senator Joseph McCarthy embarked on his nationwide anticommunist campaign, poet Robert Lowell rocked the eastern establishment's art world by attempting to purge the administration at an upstate New York artists' community. As Yaddo's future hung in the balance, loyalties collided, Left battled Right, and aesthetics shouted down politics.
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© 2007 by The New England Quarterly
2007
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