Abstract
The author explores antebellum America's anti-Catholic imagination, how it informed the Beecher family, and how Harriet Beecher Stowe's novel The Minister's Wooing responded to that ethos. Rejecting her family's and her nation's anti-Catholicism, Stowe portrays an ideal, sympathetic community of Catholic and Protestant women in the New England home.
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© 2012 by The New England Quarterly
2012
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