Abstract
Henry David Thoreau is often referred to as a “prophet,” but the degree to which he embraced that role has not been recognized. I argue that with his final manuscript, Wild Fruits, he sought to produce scripture and, through it, to turn humanity's gaze from the skies, where the Judaeo-Christian God was thought to dwell, to the earth and nature.
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© 2013 by The New England Quarterly
2013
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