Abstract
Situated within late nineteenth-century economic changes that transformed rural and urban spaces, Mary Wilkins Freeman's regionalist fiction imagines rural female-centered communities that I define as queer. Unlike emergent urban-centered gay and lesbian social formations, these communities are alienated from both normative reproduction and capitalist accumulation and are sustained by subsistence labor.
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© 2014 by The New England Quarterly
2014
Massachusetts Institute of Technology
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