Abstract
This essay examines how Orestes Brownson used literary criticism as a medium to distance himself from the Transcendentalist movement. It argues that Brownson's qualified rejection of Transcendentalism played a crucial role in the formation of his professional identity as a literary critic and public intellectual in the mid-nineteenth-century literary sphere.
Issue Section:
Articles
This content is only available as a PDF.
© 2017 by The New England Quarterly
2017
The New England Quarterly
You do not currently have access to this content.