Abstract
During the 1720s Boston-area ministers and their allies argued that singing in rural churches had degenerated into vulgar howling. Fearful that the howling signaled the creeping Indianization of rural New Englanders they argued for reform that would require singing by note, a proposal strenuously resisted by rural congregations.
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© 2020 by The New England Quarterly
2020
The New England Quarterly
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