Works, Attribution Status and Use in Study
| Title (year) . | Subject matter . | Attribution status . | Use . |
|---|---|---|---|
| Mona Lisa (1503–1506) | Portrait | Substantially unquestioned | Training |
| The Annunciation (1472) | Religious scene, multiple figures and landscape | Substantially unquestioned | Training |
| The Baptism of Christ (1470–1480) | Portrait (one angel painted by Leonardo) | Generally unquestioned | Training (using isolated Leonardo angel) |
| Madonna of the Carnation (1478) | Madonna and child | Substantially unquestioned, possibly with some overpainting | Training |
| Ginevra de’ Benci (1474–1478) | Portrait | Generally unquestioned | Training |
| Benois Madonna (1478) | Madonna and child | Generally unquestioned | Training |
| Virgin of the Rocks (Louvre version) (1483–1486) | Religious scene, multiple figures and landscape | Substantially unquestioned | Training |
| Lady with an Ermine (portrait of Cecilia Gallerani) (1490) | Portrait | Generally unquestioned | Training |
| The Virgin and Child with Saint Anne (1503) | Religious scene, multiple figures and landscape | Substantially unquestioned | Training |
| Saint John the Baptist (1513–1516) | Religious scene, single figure | Generally unquestioned | Training |
| Portrait of a Musician (1490) | Portrait | Generally unquestioned | Training |
| Virgin of the Rocks (London version) (1491–1508) | Religious scene, multiple figures and landscape | Generally unquestioned | Training |
| La Bella Principessa (1495–1496) | Portrait | Questioned | Test |
| La Belle Ferronnière (1490–1497) | Portrait | Generally unquestioned | Test |
| Madonna Litta (mid-1490s) | Madonna and child | Questioned | Comparative |
| Isleworth Mona Lisa (1508–1516) | Portrait | Questioned | Comparative |
| Seated Bacchus (1510–1515) | Religious (genre) scene, single figure | Workshop of Leonardo | Comparative |
| Title (year) . | Subject matter . | Attribution status . | Use . |
|---|---|---|---|
| Mona Lisa (1503–1506) | Portrait | Substantially unquestioned | Training |
| The Annunciation (1472) | Religious scene, multiple figures and landscape | Substantially unquestioned | Training |
| The Baptism of Christ (1470–1480) | Portrait (one angel painted by Leonardo) | Generally unquestioned | Training (using isolated Leonardo angel) |
| Madonna of the Carnation (1478) | Madonna and child | Substantially unquestioned, possibly with some overpainting | Training |
| Ginevra de’ Benci (1474–1478) | Portrait | Generally unquestioned | Training |
| Benois Madonna (1478) | Madonna and child | Generally unquestioned | Training |
| Virgin of the Rocks (Louvre version) (1483–1486) | Religious scene, multiple figures and landscape | Substantially unquestioned | Training |
| Lady with an Ermine (portrait of Cecilia Gallerani) (1490) | Portrait | Generally unquestioned | Training |
| The Virgin and Child with Saint Anne (1503) | Religious scene, multiple figures and landscape | Substantially unquestioned | Training |
| Saint John the Baptist (1513–1516) | Religious scene, single figure | Generally unquestioned | Training |
| Portrait of a Musician (1490) | Portrait | Generally unquestioned | Training |
| Virgin of the Rocks (London version) (1491–1508) | Religious scene, multiple figures and landscape | Generally unquestioned | Training |
| La Bella Principessa (1495–1496) | Portrait | Questioned | Test |
| La Belle Ferronnière (1490–1497) | Portrait | Generally unquestioned | Test |
| Madonna Litta (mid-1490s) | Madonna and child | Questioned | Comparative |
| Isleworth Mona Lisa (1508–1516) | Portrait | Questioned | Comparative |
| Seated Bacchus (1510–1515) | Religious (genre) scene, single figure | Workshop of Leonardo | Comparative |